They produced Princesa Tirana Princess Tirana , with Mat Ranillo and Gloria Sevilla her first feature title role after she was discovered through a declamation contest at the University of the Visayas as lead players. Most Visayan films revolve around the "love story-drama-comedy" genre which inevitably reflects the lifestyle and culture of the southern Filipinos. However, perhaps out of deference to the substantial local Japanese population, film censors were sensitive to Japanese complaints about negative representations of Japanese in U. Borlaza also originated from the south. Mat ang Gloria finally got married off-screen in real life and formed S-R Productions in
Borlaza also originated from the south. Other independent productions were: The s was labeled as the first golden age of Philippine cinema. Cesar and Emmanuel H. Japanese films had been imported into the Philippines since the late s but without great success. Most Visayan films revolve around the "love story-drama-comedy" genre which inevitably reflects the lifestyle and culture of the southern Filipinos. The s saw the emergence of more Visayan talents in the Tagalog film industry. First, unlike Manchuria, where the Japanese literally had to construct a film industry, the Philippines already had many large, well-equipped motion picture theaters that were well-stocked with significant Hollywood product. Although the Philippines never became a center for feature film production under the Japanese, it was a strategically important market for Japan. The Filipino film industry was one of the busiest and bustling film communities in Asia, releasing an average of films a year making Philippines second to Japan in terms of film productions a year. Another independent picture, Sa Kabukiran In the Mountains; , was also produced during this time. The other Japanese-produced feature film shot in the Philippines was Tatlong Maria Production facilities were better in the Philippines than any other market in the Japanese empire with the exception of Shanghai. Matud Nila also marked the last film directed by Leroy Salvador. As was the case in Japan's other colonial and occupied film markets, Japanese film companies took over the local exhibition venues replacing films from the Hollywood and the region with Japanese films for propaganda. Mat and Gloria then became synonymous to Visayan pictures, and since then were called as the King and Queen of Visayan Movies. Further, due to the long period of American influence, the local film community boasted a significant number of people who had worked in Hollywood during the silent era and had considerable experience. Ang Bayan The Country , was also produced at this time. Many confiscated films were exported back to Japan to train its filmmakers. It was not until that another Visayan film project was brought to the big screen. Visayan film producers continued trying to revive the Visayan movies in the mid-seventies by filming in the 16mm format and transferring the material to 35mm for theatrical release. The film presented the Japanese as Asian liberators who came to free the Filipinos from decades of colonial oppression that began with the Spanish and continued with the Americans. It is in this light that the viewing public should not lose hope in seeing more Visayan movies in the future - that is, if all these Visayan talents and producers put their sense together and realize that Visayan Cinema might even be the answer to the long-awaited Filipino film revolution - with the way Tagalog films are being made nowadays, who knows - Visayan films might just be the saving grace of the regressing Filipino film industry. Their first feature together made such a box office success in the Visayas and Mindanao that other features immediately followed: The audience were hungry for films with patriotic themes. Mat ang Gloria finally got married off-screen in real life and formed S-R Productions in They produced Princesa Tirana Princess Tirana , with Mat Ranillo and Gloria Sevilla her first feature title role after she was discovered through a declamation contest at the University of the Visayas as lead players.
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