My opinion is that the movie would have benefited from treating these two parts as discreet entities. Apart from the long take that opens the film, Lee is generally content to avoid stylistic flourishes and to put the actor's performances at the center of the film - though the irregular rhythms of his editing help to augment a sense of tension between the two leads. My Dear Enemy marks a step into higher profile territory, however. Truck is the kind of overblown, heavy-breathing thriller that nonetheless fails to stir up much adrenalin among the viewers. All he is good at is beating people up. As for the animation, there is little in the film that could not have been expressed in live action, and that director admits this. From inside the monarch's private quarters, however, things are even more complicated. But then it suddenly gets much worse. I usually don't mind certain level of illogic in a genre film, but Truck smacks of lazy filmmaking.
Not only that, his slightly unpredictable behavior produces genuine suspense. It shows Sung-nam kneeling on a set of stairs as he stares at the bare legs of a skirted woman. The producers could have at least chosen a more appropriate title in English. Director Jeong Yong-gi, who previously helmed Doll Master and second and third sequels to Marrying the Mafia, is not without talent, displaying some light-hearted visual wit in a few scenes, but is done in by the aggressively loutish material he is working with. It's as if Hong's men are waiting to be caught, asking to be called out as they cop a visual feel. The military sends its strongest soldiers to this area, and imposes the harshest degree of discipline on them. Some of the standard developments we expect in any sports movie pass by unacknowledged, and some patience is required of us -- in a sense, we are obliged to relate to the team members as ordinary people rather than heroes in the making. I am not so sure about The Weird, even though Lee Byung-heon and Song Kang-ho still provide plenty of entertainment value, relying on their patented tools of the trade. Was that success deserved? He even turns in a lightning-quick cameo for those who can spot him. When Peter first saw her in the lobby, he quipped about why he was there: Bolt compels Mittens to guide him back to Penny — Mittens being convinced her captor is a lunatic — and the two start their journey westward by truck. As for Radio Dayz, it is another instance of a pleasant South Korean film that doesn't amaze or astound, but still manages to entertain and engage its audience. Too bad, then, director Kwon Hyung-jin, who previously helmed the Uhm Jeong-hwa vehicle For Horowitz , and screenwriter Jang Hyung-mo stuff the movie to the brim with excessive 'style slasher film clich? It was actually filmed more than two years ago. Death Bell is, to put it succinctly, torture porn for the Whispering Corridors set. But if anyone owns The Chaser, it is perhaps not director Na, despite his incredibly impressive command over the material, but Kim Yun-seok. In December of each year, the Fun House runs a members' poll to select the best nude performances among that year's releases. It's really not Ha Jung-woo's fault at all, as he delivers a terrific performance as a genuine sociopath. The "exam questions" the culprit comes up with will strike most viewers as either hopelessly arcane or ridiculously complex: Desperate to foot medical bills for his terminal-illness-stricken daughter, he gets sucked into a poker scam, only to be nabbed by the mob. Mittens makes plans for them to stay in Las Vegas , but hearing Bolt is still drawn to find Penny, she tells him that Penny is only an actor , and that humans never truly love their pets but betray and abandon them, as happened to her. Perhaps I am overly harsh with Kim, who might have never intended his film to be anything more than an affectionate send-up to the mythic grandeur and marvelous vistas writ in a Leone film. Its relationship to the real history of Korea is about as close as Dick Cheney's relationship to the principles of American constitutional government. They are joined by Rhino, a fearless hamster and fanatical Bolt fan. I can't control it. She rages at the world, constructs her own fantasy demons, and then, in the course of battling them, veers between obsession and despair.
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